BIOGRAPHY

Violaine Boutet de Monvel

Violaine BOUTET de MONVEL

mail@violaineboutetdemonvel.com

 

ATER in Art History at Paris 1 Panthéon-Sorbonne University

Lives and works in Paris, FRANCE

PUBLICATIONS

Books

La multiplicité de l'espace dans l'œuvre de Bill Viola, Éditions Universitaires Européennes (Sarrebruck), 2011.

“The Dislocation: Towards A Liberated Figurative Semiotics”, in Capture: Grégory Chatonsky, HYX Éditions (Orléans), 2011.

Essays

“Le passage du texte à l’image video”, in Actes du Colloque: Ni tout à fait la même, ni tout à fait une autre…, École Supérieure d’Art d’Épinal & Musée de l’Image (Épinal), 2010.

Articles

“Digital Art in the Contemporary Art Market: A Trade of Programs?”, Digitalarti (Paris), no. 6, spring 2011.

“Jacques Perconte: the Digital Image, and the Sublime”, Digitalarti (Paris), no. 2, spring 2010.

“Tatiana Trouvé: A Rock and a Hard Place”, ArtReview (London), no. 23, june 2008.

Interviews

“Dan Graham: Being and Nothingness”, Flash Art International (Milan), no. 265, march 2009.

“Dan Graham: Minimalism Against Minimalism”, Esse arts + opinions (Montreal), no. 61, fall 2007.

Reviews

“Tadashi Kawamata: Under the Water, Kamel Mennour, Paris, 10 December - 28 January”, ArtReview (London), no. 58, april 2012.

“Stefan Brüggemann: Untitled (Definition and Joke Paintings), Yvon Lambert, Paris, 25 November - 14 January”, ArtReview (London), no. 57, march 2012.

“Arnulf Rainer / Victor Hugo: Surpeintures, Maison de Victor Hugo, Paris, 6 October - 15 January”, ArtReview (London), no. 56, winter 2012.

“Robin Meier & Ali Momeni: The Tragedy of the Commons, Palais de Tokyo, Paris, 8 July - 18 September”, ArtReview (London), no. 53, october 2011.

“Seth Price: Miam!, Chantal Crousel, Paris, 12 March - 30 April”, ArtReview (London), no. 51, summer 2011.

“Eija-Liisa Ahtila: The Annunciation, Marian Goodman, Paris, 4 December - 8 January”, ArtReview (London), no. 48, march 2011.

“Stéfane Perraud: Sic Vita, Numeriscausa, Paris, 12 June - 15 July”, ArtReview (London), no. 35, october 2009.

“Lionel Estève: How to Lie, Emmanuel Perrotin, Paris, 14 March - 16 May”, ArtReview (London), no. 33, june 2009.

“François Morellet: Deep Dark Light Blue and Neons by Accident, Kamel Mennour, Paris, 11 March - 25 April”, ArtReview (London), no. 32, may 2009.

“Raymond Depardon - Paul Virilio: Terre Natale, Fondation Cartier, Paris, 21 November - 15 March”, ArtReview (London), no. 30, march 2009.

“Virginie Yassef: Jeu de Paume”, Flash Art International (Milan), no. 262, october 2008.

“Reena Spaulings: Courbet Your Enthusiasm, Chantal Crousel, Paris, 21 June - 2 August”, ArtReview (London), no. 26, october 2008.

“Jörg Lozek: Im Zimmer, Daniel Templon, Paris, 31 May - 19 July”, ArtReview (London), no. 25, september 2008.

“Uwe Henneken: Légion Troublée, Almine Rech, Paris, 24 April - 7 June”, ArtReview (London), no. 24, july 2008.

“Maïder Fortuné: Whispering in Distant Chambers, Martine Aboucaya, Paris, 15 March - 30 April”, ArtReview (London), no. 23, june 2008.

“Iván Navarro: Antifurniture, Daniel Templon, Paris, 1 March - 9 April”, ArtReview (London), no. 22, may 2008.

“Gérard Garouste: Galerie Daniel Templon”, Flash Art International (Milan), no. 259, march 2008.

“Tacita Dean: Galerie Marian Goodman, Paris, 8 septembre - 13 octobre 2007”, Artpress (Paris), no. 340, december 2007.

“Promenade: Divers Lieux, New York, Janvier 2007”, Artpress (Paris), no. 333, april 2007.

“Promenade: Divers Lieux, New York, Octobre 2006”, Artpress (Paris), no. 331, february 2007.

“Anri Sala: Galerie Chantal Crousel, Paris, 23 avril - 3 juin 2006”, Artpress (Paris), no. 326, september 2006.

 

INTERVENTIONS

2011

“Qu'est-ce qu'une oeuvre d'art numérique”, colloquium Quel marché pour l'art numérique? (codirected by by Futur en Seine & Digitalarti), Centquatre, Paris, FRANCE.

“Les flux, une fiction des réseaux”, debate (hosted by Grégory Chatonsky), Gaîté Lyrique, Paris, FRANCE.

2009

“Le passage du texte à l’image”, colloquium Ni tout à fait la même, ni tout à fait une autre… (codirected by Perin Emel Yavuz & Roselyne Bouvier), École Supérieure d’Art d’Épinal, Épinal, FRANCE.

“Abrégé de l’art vidéo pionnier américain au tournant des années soixante-dix”, seminar Est-Ouest: recherches en cours sur l'art américain (hosted by Philippe Dagen), Institut National d'Histoire de l'Art, Paris, FRANCE.

“Les attaques électroniques de Nam June Paik & Wolf Vostell”, Séminaire des Doctorants, École des Hautes Études en Sciences Sociales, Paris, FRANCE.

2008

Introduction to Video Art”, lecture (hosted by Kevin Cryderman), Department of Film Studies, Emory University, Atlanta, GA, USA.

 

SCREENINGS

2009

Because it lacks a door that house (video, 2009), colloquium Ni tout à fait la même, ni tout à fait une autre… (codirected by Perin Emel Yavuz & Roselyne Bouvier), École Supérieure d’Art d’Épinal, Épinal, FRANCE.

Because it lacks a door that house (video, 2009) & Mire (super 8 and video, 2002/2009), Abstracta 2009 (directed by Massimo Pistone), Isola Tiberina, Rome, ITALY.

Because it lacks a door that house (video, 2009), Passage 2009 (codirected by Jeff Stanley & Violaine Boutet de Monvel), Institut National d'Histoire de l'Art, Paris, FRANCE.

Mire (super 8 and video, 2002/2009), 5th International Short Film Festival Detmold (directed by Levent Arslan), Detmold, GERMANY.

Self-(De)-Exposure (video, 2008), 2009 Women’s Caucus for Art 5th International Video Shorts Festival (directed by Véronique Sapin), The Korean Cultural Center, Los Angeles, CA, USA.

2008

Self-(De)-Exposure (video, 2008), Passage 2008 (directed by Jeff Stanley), Murray State University, Murray, KY, USA.

 

DISTINCTIONS

2009

Two month Research Grant, Brown University, Providence, RI, USA.
Academic advisor: Hervé Vanel, Assistant Professor, Department of Art History.

2008

Two month Research Grant, Emory University, Atlanta, GA, USA.
Academic advisor: Matthew Bernstein, Professor, Department of Film Studies.

2007

Two month Research Grant, Brown University, Providence, RI, USA.
Academic advisor: Hervé Vanel, Assistant Professor, Department of Art History.