Vidéo, couleur, son, 3'12
Violaine Boutet de Monvel, 2009Par faulte d'ung huys j'y perdis
Ung grez, et une manche de hoüe.
Alors huyt faulcons, non pas dix,
N'y eussent pas prins une alloüe.
- FRANÇOIS VILLON
Super 8 et vidéo, couleur, son, 1'
Violaine Boutet de Monvel, 2002/2009One night, just felt like targeting shots.
- V.B.M.
Vidéo, couleur, son, 3'22
Violaine Boutet de Monvel, 1985/2002/2009Somehow, as a toddler, I could not understand the concept of generation, as in recording and restitution, and this would get to me. Somehow, as an adult, this question has become less technical and more human, and this still gets to me.
- V.B.M.
Vidéo, couleur, son, 3'27
Violaine Boutet de Monvel, 2008
Vidéo, couleur, son, 2'24
Violaine Boutet de Monvel, 2007/2008
_Exposure_Video_Still_Violaine_Boutet_de_Monvel.jpg)
Vidéo, couleur, muet, 2'38
Violaine Boutet de Monvel, 2008Following the movement of a crescendo which is sustained by bursts of light, video layers slowly disturb and hijack an intimate situation from its primary aim. The principle applied in Self-(De)-Exposure is 'the more, the less.'
- V.B.M.
Vidéo, couleur, son, 0'49
Violaine Boutet de Monvel, 2003/2006
Vidéo, couleur, son, 0'49
Violaine Boutet de Monvel, 2006